Broadcasting Microphones

The broadcasting microphone category features products from industry-leading manufacturers including Audio-Technica and Anchor Audio , brands renowned for their commitment to audio excellence. These microphones are specifically engineered for broadcast applications, incorporating advanced acoustic designs that reject unwanted ambient sound from the sides and rear while capturing clear, focused audio from the intended source.

Shotgun microphones dominate this category, offering the narrow acceptance angle essential for long-distance sound pickup in film, television, and video production. Models like the Audio-Technica AT897 combine a directional condenser capsule with an interference tube design that effectively eliminates off-axis sound, making them ideal for newscasting, documentaries, corporate videos, and field audio acquisition. These professional-grade microphones provide balanced XLR audio output and offer flexible powering options including phantom power and battery operation.

For ENG (Electronic News Gathering) and EFP (Electronic Field Production) applications, compact shotgun designs mount conveniently on cameras without adding noticeable weight while remaining out of frame even with compact digital equipment. Switchable low-frequency roll-off filters help minimize unwanted noise from wind, traffic rumble, and handling vibration. Whether you are building a broadcast facility, upgrading production equipment, or outfitting a mobile news crew, this selection provides the professional microphone solutions required for broadcast-quality audio capture.

Frequently Asked Questions

Q. What types of microphones are best for broadcast applications?

A. Shotgun condenser microphones are the preferred choice for most broadcast applications due to their narrow pickup pattern and excellent off-axis rejection. They capture focused audio from the intended source while minimizing ambient noise, making them ideal for interviews, field reporting, and studio production.

Q. What is the difference between short and long shotgun microphones?

A. Short shotgun microphones like the AT897 work best indoors or at closer distances up to 3-4 feet, while long shotgun models provide tighter pickup patterns for outdoor use and greater reach up to 9 feet or more. Long shotguns offer superior side rejection for noisy outdoor environments.

Q. Do broadcast microphones require special power?

A. Most professional broadcast microphones are condenser types requiring either 48V phantom power from the camera or mixer, or battery power using an internal AA battery. This flexibility allows operation with professional cameras or consumer-grade equipment.

Q. What features should I look for in a broadcast microphone?

A. Key features include a switchable low-cut filter for reducing wind and handling noise, XLR balanced output for professional connectivity, lightweight construction for camera mounting, and rugged build quality for field use. Smooth frequency response and high sensitivity are essential for broadcast-quality audio.